{"id":19,"date":"2017-03-19T18:51:48","date_gmt":"2017-03-19T18:51:48","guid":{"rendered":"https:\/\/soomipark.com\/?page_id=19"},"modified":"2024-06-12T11:10:37","modified_gmt":"2024-06-12T11:10:37","slug":"cv","status":"publish","type":"page","link":"https:\/\/soomipark.com\/?page_id=19","title":{"rendered":"cv"},"content":{"rendered":"\n<h5>Educations<\/h5>\n\n\n\n<p><em>Sep.2014 -Jun 2024<\/em><br>Doctor of Philosophy (part-time)<br>Media and Arts Technology(MAT),<br>School of Electronic Engineering and Computer Science,<br>Queen Mary, University of London<br>(Awarded Engineering Physical Sciences Research Council(EPSRC) Funding)<br>London, United Kingdom<\/p>\n\n\n\n<p><em>Sep.2011 -Jun.2013<\/em><br>Master of Arts<br>Design Interactions,<br>Royal College of Art,<br>London, United Kingdom<\/p>\n\n\n\n<p><em>Sep.2005- Aug.2007<\/em><br>Master of Arts<br>Digital Media Design,<br>International Design School for Advanced Studies(IDAS), Hongik University,<br>Seoul, South Korea<\/p>\n\n\n\n<p><em>Feb.2006 &#8211; Jun.2006<\/em><br>Exchange Study<br>Hyper Media Design, L&#8217;Ecole de Design Nantes(EDNA),<br>Nantes, France<\/p>\n\n\n\n<p><em>Mar.2001 &#8211; Feb.2005<\/em><br>Bachelor of Fine Arts<br>Multimedia &amp; Animation Design\/ Visual Communication Design (double degreed)<br>Sookmyung Women\u2019s University,<br>Seoul, South Korea<\/p>\n\n\n\n<h5><span style=\"color: #fff18f;\"><strong><br><\/strong><\/span>Solo Exhibition<\/h5>\n\n\n\n<p>Aug. 2020<br>[Between Dreamy and Dreary: Fiction in Design],<br>With Owen Wells,<br>Celine Park Gallery, Seoul, South Korea<\/p>\n\n\n\n<p>Nov.2009<br>[Anxiety E(A)nd],<br>Platoon Kunsthalle, Seoul, South Korea<\/p>\n\n\n\n<h5><span style=\"color: #fff18f;\"><strong><br><\/strong><\/span>Group Exhibitions<\/h5>\n\n\n\n<p>Sep. 2019<br>[THE PARADOX OF PRIVACY]<br>Accenture, Dublin, Republic of Ireland<\/p>\n\n\n\n<p>Sep. 2019<br>[Future Cross Boundaries]<br>Taiwan Design Museum, Taipei, Taiwan<\/p>\n\n\n\n<p>Sep. 2018<br>[Digital Design Weekend]<br>[London Design Festival]<br>Victoria &amp; Albert (V&amp;A) Museum, London, United Kingdom<\/p>\n\n\n\n<p>Aug. &#8211; Sep. 2018<br>[Future Beyond Imagination]<br>[Taiwan Design Expo 2018]<br>Taichung Cultural and Creative Industries Park, Taichung, Taiwan<\/p>\n\n\n\n<p>Dec. 2017 &#8211; Apr. 2018<br>[Support]<br>[Designers in Residence Showcase]<br>Design Museum, London, United Kingdom<\/p>\n\n\n\n<p>Aug. 2015<br>[SECRET: NOTHING TO SEE HERE]<br>Science Gallery Dublin, Dublin, Republic of Ireland<\/p>\n\n\n\n<p>Mar. 2015<br>[Hypervital]<br>[Biennale Internationale Design Saint-Etienne],<br>Cite du Design, Saint Etienne, France<\/p>\n\n\n\n<p>Mar. 2015<br>[Technophilia and the Corrupt Body]<br>Menier Gallery, London, United Kingdom<\/p>\n\n\n\n<p>Nov.2014<br>[Design Korea]<br>KINTEX, Ilsan, South Korea<\/p>\n\n\n\n<p>Jun.2013<br>[Queen Elizabeth Prize of Engineering],<br>Tate Modern, London, United Kingdom<\/p>\n\n\n\n<p>Jun.2013<br>[Show RCA 2013],<br>Royal College of Art, London, United Kingdom<\/p>\n\n\n\n<p>Jan.2013<br>[Work in Progress],<br>Royal College of Art, London, United Kingdom<\/p>\n\n\n\n<p>Sep.2012<br>[Lay Artist],<br>Artcenter Nabi, Seoul, South Korea<\/p>\n\n\n\n<p>Jan.2012<br>[Work in Progress],<br>Royal College of Art, London, United Kingdom<\/p>\n\n\n\n<p>Jun.2011<br>[B.Y.O.B Seoul],<br>Gallery LVS, Seoul, South Korea<\/p>\n\n\n\n<p>Sep.2010<br>[Tweak],<br>Church Gallery Space, Limerick School of Art and Design, Limerick, Republic of Ireland<\/p>\n\n\n\n<p>Oct.2009<br>[Cadavre Exquis],<br>Space Beam, Incheon, South Korea<\/p>\n\n\n\n<p>Sep.2008<br>[Ars Electronica Festival_CyberArt],<br>OK Center for Contemporary Art, Linz, Austria<\/p>\n\n\n\n<p>Apr.2008<br>[Next No.05],<br>Filmbyen, Aarhus, Denmark<\/p>\n\n\n\n<p>Jul.2007<br>[Run_Human],<br>Triad New Media Gallery, Seoul, South Korea<\/p>\n\n\n\n<h5><span style=\"color: #fff18f;\"><strong><br><\/strong><\/span>Awards\/ Honours<\/h5>\n\n\n\n<p>Apr. 2017<br>Designer in Residence<br>Design Museum, London, United Kingdom<\/p>\n\n\n\n<p>Sep. 2014<br>Global Design Leader<br>Korea Institute of Design Promotion(KIDP), Seoul, South Korea<\/p>\n\n\n\n<p>Jun.2008<br>[LED Eyelash] HONORARY MENTION<br>Ars Electronica PRIX at Interactive Art Department, Linz, Austria<\/p>\n\n\n\n<h5><span style=\"color: #fff18f;\"><strong><br><\/strong><\/span>Work Experiences<\/h5>\n\n\n\n<p>Aug. 2020 &#8211; Current<br>Lecturer<br>Design,<br>Goldsmiths University of London, London, United Kingdom<\/p>\n\n\n\n<p>Nov. 2016 &#8211; Jul. 2020<br>Associate Lecturer<br>Design,<br>Goldsmiths University of London, London, United Kingdom<\/p>\n\n\n\n<p>Apr.2017-Apr. 2018<br>Designer in Residence<br>Design Museum, London, United Kingdom<\/p>\n\n\n\n<p>Apr.2015-Sep. 2015<br>Research Internship,<br>Future Consumer Applications &amp; Services<b>&nbsp;<\/b>team<br>BT Technology Service &amp; Operations, Adastral Park (Ipswich, Suffolk), United Kingdom<\/p>\n\n\n\n<p>Jul.2013- Nov.2016<br>Founder<br>ReFlexLab<br>Design Consultancy, London, United Kingdom\/\/ Seoul, South Korea<\/p>\n\n\n\n<p>Aug.2013-Mar. 2015<br>Producer\/ Director of Moving Image (Freelance)<br>Human Harp Project<br>Di Mainstone, London, United Kingdom<\/p>\n\n\n\n<p>Mar.2011-Jun.2011<br>Lecturer<br>[Introduction to Design],<br>Elective,<br>Konkuk University, Seoul, South Korea<\/p>\n\n\n\n<p>Mar.2010-Jun.2011<br>Lecturer<br>[Design Innovation I\/II], [Product Design Collection I]<br>Division of Fashion &amp; Product Design,<br>Dankook University, Young-in, South Korea<\/p>\n\n\n\n<p>Mar.2009-Dec.2009<br>Lecturer<br>[Inspiration and Expression I\/II],<br>Division of Industrial Design,<br>Dong-Eui University, Busan, South Korea<\/p>\n\n\n\n<p>Apr.2009-Dec.2009<br>Artist in Residence<br>Platoon Kunsthalle, Seoul, South Korea<\/p>\n\n\n\n<h5><span style=\"color: #fff18f;\"><strong><br><\/strong><\/span>Lectures\/Workshops\/ Talks<\/h5>\n\n\n\n<p><\/p>\n\n\n\n<p>Feb. 2021<br>How do you give form to sentimental machines?: An Affective Future Round Table (as part of the RCA Research Biennale)<br>Invited Speaker<br>Royal College of Art (RCA), London<\/p>\n\n\n\n<p>Nov. 2020<br>Invited Lecturer<br>Leeds University of Arts, Leeds<\/p>\n\n\n\n<p>Oct. 2019<br>Visiting Lecturer<br>Graphic Design, University of West England (UWE), Bristol<\/p>\n\n\n\n<p class=\"p1\">Feb. 2018<br>Creating a Design Framework: Creative &amp; Critical Key Stages,<br>Invited Lecturer\/ Visiting Tutor,<br>Chelsea College of Arts, University of the Arts London (UAL), London<\/p>\n\n\n\n<p>Jun. 2017<br>Do Robots Blush? Design Workshop<br>Leader,<br>Design Museum, London.<\/p>\n\n\n\n<p>Mar. 2017<br>Following Invisible Lines:&nbsp;Speculative Design Workshop for GPS futures<br>Organiser, Inside Out Festival<br>Somerset House, London.<\/p>\n\n\n\n<p>Nov. 2016<br>Speculative Design Workshop<br>Speaker, Qualitative Method Discussion Group Seminar<br>School of Electonic Engineering and Computer Science,<br>Queen Mary University of London<\/p>\n\n\n\n<p>Nov. 2016<br>The Art and Science of Embarrassment<br>Speaker, Cognitive Science Seminar<br>School of Electonic Engineering and Computer Science,<br>Queen Mary University of London<\/p>\n\n\n\n<p>Jun. 2016<br>Children&#8217;s Intelligence Agency &nbsp;Spy Technology &amp; Fairer Tales&nbsp;Workshop<br>Spy Technology &amp; Fairer Tales&nbsp;Workshop (Organiser: Bright Little Labs)<br>Invited Speaker, The Cathedral School of St Saviour and St Mary Overy, London, United Kingdom<\/p>\n\n\n\n<p>Mar. 2016<br>Art &amp; Commitment<br>Guest Speaker,&nbsp;Master-Seminar (hosted by Lukas Pairon)<br>School of Arts (KASK Conservatorium), Ghent, Belgium<\/p>\n\n\n\n<p>Aug. 2015<br>THE SECRETS BEHIND SECRET: LUNCHTIME TALKS<br>Artist Talk, Science Gallery Dublin, Dublin, Republic of Ireland<\/p>\n\n\n\n<p>May. 2015<br>Design For Death<br>Invited Speaker\/Tutor, Speculative Design Workshop (led by Ekaterina Demina),<br>Royal College of Art(RCA), London, United Kingdom<\/p>\n\n\n\n<p>Feb. 2015<br>Open Lecture<br>Invited lecturer, Copenhagen Institute Interaction Design(CIID), Copenhagen, Denmark<\/p>\n\n\n\n<p>Feb 2015<br>Trans:::itive Wear::able<br>Organiser\/Tutor, Wearable Workshop, Copenhagen Institute Interaction Design(CIID), Copenhagen, Denmark<\/p>\n\n\n\n<p>Oct. 2014<br>Symposium on Fashion Technology(SOFT)<br>Keynote Speaker, Royal Academy of Art, The Hauge, The Netherlands<\/p>\n\n\n\n<p>Dec. 2013<br>Wearable Future<br>Speaker, Ravensbourne, London, United Kingdom<\/p>\n\n\n\n<p>Dec. 2013<br>Cut-Off: Designing Communication In The Age Of Surveillance<br>Organiser\/ Tutor, Speculative Design Workshop, Dankook University, Yong-In, South Korea<\/p>\n\n\n\n<p>Dec. 2013<br>Design For Society Ruins<br>Organiser\/ Tutor, Speculative Design Workshop, Dong-eui University, Busan, South Korea<\/p>\n\n\n\n<p>Aug. 2013<br>The Republic of Privacy<br>Invited Talk, PhD Research in Information Security, Dept. of Computer Science,<br>University College London (UCL), London, United Kingdom<\/p>\n\n\n\n<p>Jun. 2012<br>Artscience Labs&#8217; Annual Innovation Workshop Virtual Worlds,<br>Design Mentor,&nbsp;le Laboratoire, Paris, France<\/p>\n\n\n\n<p>Dec. 2010<br>Plastic Fetishism and Anxiety A(E)nd<br>Invited Lecture, Kunkuk University, Seoul, South Korea<\/p>\n\n\n\n<p>Oct. 2010<br>Fashion Technology<br>Invited Lecture, Samsung Art &amp; Design Institute (SADI), Seoul, South Korea<\/p>\n\n\n\n<p>Oct.2010<br>Research Contribution<br>Inprocess, LVMH Group Interview, Paris, France<\/p>\n\n\n\n<p>Jul. 2010<br>print (&#8220;HELLO ARDUINO&#8221;);<br>Organiser\/ Tutor, Workshop, Platoon Kunsthalle, Seoul, South Korea<\/p>\n\n\n\n<p>Apr. 2010<br>Fashion Technology<br>Workshop, Platoon Kunsthalle, Seoul, South Korea<\/p>\n\n\n\n<p>Apr. 2009<br>The Steve Hatherly Show_Radio Show,<br>Artist Talk, TBS eFM(101.3Mhz), Seoul, South Korea (on air date: 16th April). 2009)<\/p>\n\n\n\n<h5><span style=\"color: #fff18f;\"><strong><br><\/strong><\/span>Collected Works<\/h5>\n\n\n\n<p>[Digital Veil], Triad New Media Gallery, Seoul, South Korea<br>[Swing Skirt], Oreum Gallery, Seoul, South Korea<\/p>\n\n\n\n<h5><span style=\"color: #fff18f;\"><strong><br><\/strong><\/span>Patents<\/h5>\n\n\n\n<p>[LED Eyelash] registered at Korean Intellectual Property Office (since 09\/25\/2009)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<h5><span style=\"color: #fff18f;\"><strong><br><\/strong><\/span>Publications (Thesis\/ Papers\/ Journals)<\/h5>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container\">\n<p><span dir=\"ltr\" role=\"presentation\" style=\"font-size: inherit;\">2021<br><span dir=\"ltr\" role=\"presentation\">[Should Robots Blush?],<br>Park, S., Healey, P. G. T., and Kaniadakis, A. (2021)<br> <em>In Proceedings of the 2021 CHI Conference on Human Factors in Computing Systems<\/em>, CHI \u201921, New York, NY, USA. Association for Computing Machinery <a rel=\"noreferrer noopener\" href=\"https:\/\/doi.org\/10.1145\/3411764.3445561\" target=\"_blank\">https:\/\/doi.org\/10.1145\/3411764.3445561<\/a><\/span><\/span><\/p>\n<\/div><\/div>\n\n\n\n<p>2013<br>[My Name is Nobody],<br>Dissertation for Master Degree, Royal College of Art, London, United Kingdom<\/p>\n\n\n\n<p>2010<br>[Technology and Emotional Fashion (Swing Skirt project)],<br>Dankook University Design R&amp;D Center Design Conference Journal,<br>Young-in, South Korea<\/p>\n\n\n\n<p>2007<br>[Technology and Emotional Fashion<br>(Digital veil: An interactive Media Fashion with Fetishism)],<br>Thesis for Master Degree, IDAS, Hongik University, Seoul, South Korea<\/p>\n\n\n\n<h5>&nbsp;<\/h5>\n\n\n\n<h5>Featured In Publications &amp; Media coverages<\/h5>\n\n\n\n<p>2022<br>[Lucid Dream: Transdisciplinary Creators]<br>Between Dreamy and Dreary<br>Author: Juhee Hong<br>Publisher: Diagrama, October 2022<\/p>\n\n\n\n<p>2020<br>[Smart Clothes: Combining Fashion and Technology]<br>LED Eyelash<br>Author: Author: Ricardo O\u2019Nascimento<br>Publisher: SENAC S\u00c3O PAULO, March 2020<\/p>\n\n\n\n<p>2018<br>[FRAME Magazine]<br>Issue No. 122 (May &#8211; June 2018)<br>Concept\/Interview<br>Editor: Anouk Haegens<br>Writer: Tracey Ingram<br>Publisher: Frame Magazine, May 2018<\/p>\n\n\n\n<p>2018<br>[ICON]<br>Interview (Designers in Residence of the Design Museum),<br>Issue no. 178<br>Editor: Riya Patel<br>Publisher: ICON Magazine, March, 2018<\/p>\n\n\n\n<p>2017<br>[New York Times]<br>International Edition<br>Interview (Designers in Residence of the Design Museum),<br>Journalist: Kathleen Beckett<br>Publisher: New York Times, December 6, 2017<\/p>\n\n\n\n<p>2017<br>[Blueprint Magazine]<br>issue No.354<br>Interview (Designers in Residence of the Design Museum),<br>Editor: Francesca Perry<br>Publisher: Blueprint Magazine, September 2017<\/p>\n\n\n\n<p>2016<br>[Vogue Paris Magazine]<br>issue No.965<br>LED Eyelash,<br>Editor: Claire Dhelens, Photographer: Ben Hassett, Make-up artist: Georgina Graham<br>Publisher: Vogue France, March 2016<\/p>\n\n\n\n<p>2015<br>[tanz Magazine]<br>Vol. 7.15<br>LED Eyelash,<br>Editor: Elena Iris Fichter<br>Publisher: tanz Magazine, June 2015<\/p>\n\n\n\n<p>2015<br>[peut-porter]<br>Requiem For A Body,<br>Editor: Alexa Pollmann<br>Publisher: peut-porter.com (web magazine)<\/p>\n\n\n\n<p>2015<br>[Platoon Kunsthalle Magazine issue No. 1]<br>Interview<br>Publisher: Platoon Kunsthalle, Berlin\/Seoul, Germany\/South Korea (February 2015)<\/p>\n\n\n\n<p>2015<br>[Wired UK]<br>Sniffer Dog Authentication,<br>Editor: Daniel Culpan<br>Publisher: Wired UK (web magazine)<\/p>\n\n\n\n<p>2015<br>[The Guardian]<br>Sniffer Dog Authentication,<br>Journalist: Kit Buchan<br>Publisher: The Guardian\/ The Observer UK (April&nbsp;2015)<\/p>\n\n\n\n<p>2014<br>[Highlike Book]<br>Author: Highlike team<br>LED Eyelash,<br>Publisher:&nbsp;FILE: Electronic Language International Festival &amp;&nbsp;SESI\/SP Editora (December 2014)<\/p>\n\n\n\n<p>2014<br>[Make: Wearable Electronics: Design, prototype, and wear your own interactive garments]<br>Author: Kate Hartman<br>LED Eyelash,<br>Publisher: Maker Media, Inc; 1 edition (September 7, 2014)<\/p>\n\n\n\n<p>2014<br>[Wired UK]<br>Identity Marriage,<br>Editor: Madhumita Venkataramanan<br>Publisher: Wired UK (May Issue, Print version, 2014)<\/p>\n\n\n\n<p>2011<br>[See Yourself Sensing: Redefining Human Perception]<br>Author: Madeline Schwartzman,<br>LED Eyelash,<br>Publisher: Black Dog Publishing, London, United Kingdom<\/p>\n\n\n\n<p>2010<br>[Functional Aesthetics]<br>Author: Sabine Seymour,<br>LED Eyelash,<br>Publisher: Springer Vienna Architecture, New York, USA<\/p>\n\n\n\n<p>2008<br>[CyberArts 2008 (Prix Ars Electronica)],<br>LED Eyelash,<br>Prix Ars Electronica,<br>Publisher: Hatje Cantz, Linz, Austria<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Educations Sep.2014 -Jun 2024Doctor of Philosophy (part-time)Media and Arts Technology(MAT),School of Electronic Engineering and Computer Science,Queen Mary, University of London(Awarded Engineering Physical Sciences Research Council(EPSRC) Funding)London, United Kingdom Sep.2011 -Jun.2013Master of ArtsDesign Interactions,Royal College of Art,London, United Kingdom Sep.2005- Aug.2007Master of ArtsDigital Media Design,International Design School for Advanced Studies(IDAS), Hongik University,Seoul, South Korea Feb.2006 &#8211;&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/soomipark.com\/index.php?rest_route=\/wp\/v2\/pages\/19"}],"collection":[{"href":"https:\/\/soomipark.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/soomipark.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/soomipark.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/soomipark.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=19"}],"version-history":[{"count":106,"href":"https:\/\/soomipark.com\/index.php?rest_route=\/wp\/v2\/pages\/19\/revisions"}],"predecessor-version":[{"id":4419,"href":"https:\/\/soomipark.com\/index.php?rest_route=\/wp\/v2\/pages\/19\/revisions\/4419"}],"wp:attachment":[{"href":"https:\/\/soomipark.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=19"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}